I usually forget, but it’s a good idea to add copyright metadata to your images. Personally, I just import the images and move them to a new folder. Apply an adjustment style or preset to the images.Apply copyright and description metadata.Rename the image files with a custom or template scheme.Choose a secondary location to back up your photos.You can allow the source files to remain in their current location if they’re already on an external or internal hard drive. Choose the location of where you want to import your images.In most cases, it will be from a memory card. Choose your images or folders containing your images.

When you’re importing images in Capture One, you’ll be provided with several options to help your workflow when you move on to the editing or exporting steps.ĭuring the import step, Capture One will allow you to: Managing photos effectively and being able to locate an image or a group of images within a few seconds is crucial to not waste time.Ĭapture One helps with asset management starting with the import process.

Maybe some cameras will allow you to move images within SD card folders.īut when you return to your workstation at home or in the office, the comprehensive management of your assets starts and you’ll need a photo organizing software. In most scenarios, the only organizing you can do while shooting is keep your SD cards secured and organized. Many of these photos you will need to keep permanently. When you shoot as a hobbyist or professional photographer, you will easily have over 10,000 images. In my opinion it is nowhere near the functionality of PS.One of the most important aspects of photography is organizing. I suspect it's more limited by the fact that the iPad aren't powerful enough. No macros either.Ĥ) No ways to use popular plug-ins like NIKĥ) Large high MP RAW files were much slower to work with than on a PCįor basic one-off edits it was fine but for any kind of professional workflow it is lacking critical features, in my opinion.

Right here I probably wouldn't do anything important on it that I would deliver to a client.ģ) You can't open multiple RAW files at once and quickly edit or batch-edit like you can in ACR. It is also not uniformly backlit and white/black uniformity is average. As far as I could tell:ġ) You can't calibrate the screen on an iPad properly, and it is nowhere near as accurate as a proper PC monitor with a LUT. The issues I had with the Affinity iPad app were that I couldn't do the most important steps of my PS workflow.

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